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Design. Graphic art. Photocopies, scissors and a glue stick.
Design. Reference image. Enlarge a source image on a colour photocopier.
Design. Reaching. Composition. Acrylic, oil & dremel tool drawing on panel.
Design. Touch. Diptych composition. Acrylic, oil & dremel tool drawing on panels.
Idea. Blurred lines. Dissolve tight technical pen drawing with rubbing alcohol and your index finger.
Idea. Printmaking. Press nasturtiums into wet acrylic, hit them with spray paint. Remove plants.
Idea. Superimposition. Two line drawings of still life compositions made on acetate sheets.
Idea. Birth of a chestnut. Photograph.
Idea. Crab apple with graffiti. Photograph.
Idea. Finding imagery in nature. I had to pull off the road to photograph this. The Grim!
Idea. Old man and his dog. Ginger.
Idea: Seal. Burnt driftwood.
Idea. Troll. Driftwood. Photograph.
Idea. Upside down times. Photograph.
Idea. Multiple patterns. Utagawa Kunisada. The Lady In Waiting, woodblock print, 1828.
Idea. Reinterpretation. Briar’s painting. A reworking of Kunisada.
Portrait idea. QR Code self-portrait.
Portrait idea. Jules. Photograph.
Portrait Idea. Irish gangsters seen through reflective glass. Photograph.
Portrait idea. Farmer in Winter. Photograph.
Idea. Fighting underwater. Utagawa Kuniyoshi. Tammeijiro Genshogo, wood block print, 1827.
Idea. Fighting underwater. Acrylic & oil on panel.
Idea. Creating surface texture. A heavier, opaque start lightened up with paint stripper and a belt sander.
Idea. Scatter Patterns. Katherine Bernhardt. Hammerheads, acrylic on canvas, 120″x96″, 2015.
Idea. Epic Still Life. Masaya Chiba. Peaceful Village, oil on canvas, 114″x83″, 2015.
Idea. Depicting the making of the work. Dana Schutz. Presentation, oil on canvas, 14’x10′, 2005.
Idea. Smoky, soft-edged handling. Camille Corot. The Lake, oil on canvas, 62″x52″, 1861.
John Hall. Untitled Still Life: K 5, acrylic on panel, 9″x6″, 1995.
Keith Harder. ILL Winds: East, acrylic on canvas, 78″x108″, 2017.
David Shrigley. Drawing.
